The Playground, an Installation by Architensions, is Unveiled at The Coachella Valley Music and Arts Festival 2022

Indio, CA—Architensions, a design and research office led by Alessandro Orsini and Nick Roseboro and headquartered between Brooklyn and Rome, unveils The Playground, an installation for The Coachella Valley Music and Arts Festival 2022, alongside new installations by Cristopher Cichocki, Kiki Van Eijk, Estudio Normal, Oana Stanescu, and LosDos. Augmenting the festival-goers’ experience, the project infuses color, light and meaning, and a unique sense of place and discovery into the Empire Polo Club over two weekends from April 15-17 and April 22-24, 2022.

The Playground consists of four steel-framed towers ranging in height from 42' to 56', like modular scaffolds holding shapes of various forms and materiality. The Playground uses magenta and yellow for the vertical grid and cyan for the piazza, colors derived from spectrum of the dichroic film used for the cladding of some of the shapes, while others are painted in solid colors chosen from the associated adjacencies of the three colors, resulting in an intentionally vibrant color experience.

The Playground takes its inspiration from Constant Nieuwenhuys’s New Babylon, a city of improvisation, chances, and play as a critical alternative to the burdens imposed by production. The shapes themselves refer to urban typologies for leisure such as piazzas, theaters, parks, and arcades, albeit vertically arranged within a porous grid that gives an order to the landscape of different shapes. The design evokes a familiar urban landscape, where the significance of play is reverted to its original definition of free personal time, in other words, a playground. Similar to Cedric Price’s Fun Palace, the grids create a new common ground, an open space that opposes the isolation and homogeneity of technologically mediated experiences.

Says Orsini, "In an analogy with Aldo Rossi's 'Il teatro del Mondo,' The Playground creates an environment similar to a theater, in which people can interact in a sort of performance. It provides an opportunity to experience a leisure space without the use of technology, simply by interacting with the space and its materiality. The user is at the same time a spectator and performer."

While the towers are static and cannot be inhabited, the colors and shapes invite festival-goers to interact with them visually. The materials react with the sun—the dichroic film projects colors on the ground and the people, while the mirror film amplifies the perspectives and reflects the surroundings. The height, positioning, and grid of the towers allow for dynamic shadows to be cast on the ground amongst them, in totality comprising a manufactured universe of shapes that symbolize many physical places at once. Sky bridges define the interstitial space, and benches at ground level connect the towers and form the footprint of the "piazza," as well as provide a place to rest or to be a spectator.

At heart, The Playground provides its audience a space to re-align the spirit, and to re-discover leisure in a way that is not inherently attached to commerce or digital interpolation. In an age when technology substitutes for real-life experiences through mediated images, the project presents a physical atmosphere that is both dynamic and enveloping, that people can use as a space to interact with one another in the real world. It also proposes a vertical city in a place where decades of horizontal sprawl have defined a certain type of leisure and suburban growth defined by apartness, instead experimenting with the possibilities of improving our environment to foster physical interaction and collectivity.

In contrast to the contemporary function of the tower as an urban luxury paradigm, The Playground proposes the tower instead as a site of fun, and a framework for promoting collaboration and freedom of movement. "The Playground is a fragment of a city," says Roseboro, "a node for engaging festival-goers in collective interactions and in performance, relaxation, and play."

The Playground Project Information:

Materials: steel frame, wood, dichroic film, mirror film, polycarbonate sheets
Team: Alessandro Orsini, Nick Roseboro, Anna Laura Pinto, Gerald Rubia, Jihye Son Dimensions: 189’ x 112’ (57.6 m x 34.1 m), tower heights ranging from 42’ to 56’ (12.8 m to 17 m)
Area: 21,168 sf / 1,966 m2
Project Year: 2019-2022
Location: Indio, California, USA
Client: Goldenvoice
©2022 Architensions

To receive more information on Architensions or The Playground, please contact press@thisxthat.com.

For inquiries and accreditation requests relating to coverage of the 2022 Coachella Art Program, please contact Lyn Winter, lyn@lynwinter.com or Denise Sullivan, denise@lynwinter.com of Lyn Winter, Inc.

Photos by Michael Vahrenwald/ESTO:

Drawings Courtesy Architensions:

 

 

Photos by Lance Gerber, Courtesy Coachella Valley Music and Arts Festival:

 

Photos by Julian Basjel, Courtesy Coachella Valley Music and Arts Festival:

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About Architensions

Architensions (ATE) is an architectural design studio operating as an agency of research led by Alessandro Orsini and Nick Roseboro and based in New York & Rome. The studio was founded in 2010 as a vehicle to investigate the city and its spatial form and was re-founded in 2013 with Nick Roseboro. Diverse in backgrounds and creative experience, the studio looks at architecture, design, and the city with a perspective rooted in site-specificity enabling us to explore new ways to connect history and culture.

Architensions works at the intersection of theory, practice, and academia, focusing on architecture as a network condition in continuous dialogue with the political and social context and aiming to create new possibilities for the contemporary city. Our search for an aesthetic is an ever-changing process grounded in drawings, collages, sketches, and models. We like discrete geometries and grids, but we constantly seek new interpretations of their spatial outcomes. Researching and teaching for us is a mode of practice, not just in the academic space but also in the studio. We believe in a pedagogical approach to practice: we design and we learn at the same time. We expand our practice through writing to critically connect the ontology of our work with the discourse and curate to index the diverse architectural trajectories of our time. We see design as a way to define fields of action for the built environment that reconnect urbanism and architecture through processes that promote inclusivity and challenge the paradigm of architecture as a financial tool.

Our work and research have been published in international magazines such as Domus, Frame, Wallpaper, Architectural Digest, and exhibited at the Casa dell’Architettura in Rome, the Van Alen Institute, The Storefront for Art and Architecture, the Center for Architecture, and the Java Project Gallery in New York. In 2015, Libria published the volume Forma Urbana, focusing on studio research through a selection of projects and writings. Architensions was commissioned to design a large public installation for the Coachella Valley Music and Arts Festival 2022. In addition, the studio was profiled as the Next Progressives in Architect Magazine in September 2020, and in 2021, Cultured Magazine selected Architensions as part of their inaugural young architects list.

Alessandro Orsini is an architect and founding principal of Architensions with experience working on a wide range of projects both internationally and in the US. His work focuses on architecture at the intersection of the political, social, and environmental spatial networks with specific interests on redefining new modes of collective living. Alongside practice, he teaches design studios at Columbia University GSAPP and has served as a guest critic in various schools of architecture. He was also the director of the Summer Study Abroad Program from 2017-2019 at Hillier College of Architecture and Design at NJIT. Alessandro has contributed to journals including Vesper, Studio Magazine, and Forma Urbana, Architensions’ first book, published by Libria in 2015. Alessandro received his Master’s in Architecture “Summa Cum Laude” at Roma Tre University in Rome and was a visiting scholar at Columbia University GSAPP.

Nick Roseboro Assoc. AIA, is a designer and musician with experience across many creative disciplines. Following his music studies at The New School, he worked on various editorial and exhibition projects that evolved toward his first collaboration with Architensions. Roseboro’s research revolves around user interaction centered around perceptions of our environment. In particular, Roseboro’s interpretation of the urban context reads the city as a complex organism of social, civic, political, and ludic insertions within an ever-changing reality. In addition, he is interested in redefining architectural practice through curatorial, pedagogical, and cross-disciplinary means of exploration toward new architectural outcomes.

Roseboro has led many projects, including the experimental space Aesop World Trade Center, a large-scale installation for Coachella 2022, and a house in Long Island that questions aspects of domesticity. In Spring 2020, Roseboro joined “Design Advocates,” a network of designers and architects that provide research and design services to nonprofits and marginalized communities. His interests in the social aspects of design have led to his participation in various symposia and presentations on the studio’s research. Roseboro is the editor and designer of Architensions’ first book Forma Urbana, published in 2015 by Casa Editrice Libria and presented as a catalog to the studio’s first solo exhibition, Fifth Dimensional Cities, 2016. 

Contact

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